Composer Peter Nocella’s enthusiasm for intellectual and musical exploration is infectious. And it was this quality that inspired us to ask: how might one translate principles of musical composition into graphical composition? Is it equally important to create tension between dissonance and consonance when working with hearing and seeing? To find out, we sliced up Peter’s headshot, positioned the pieces like notes on a staff, and created the mouse-activated animation that remains his homepage today.
I have worked with Alexej Steinhardt and Roundhex for the past ten years. They have always been easy to work with — totally professional, creative, and responsive to client needs and input. They have the ability to come up with that special concept that sets their work apart from others.